Before the day
asks for
an answer.
Editorial work is where I can test an idea without asking a wedding to carry the experiment. It sharpens the decisions I later have to make quickly: light, clothing, gesture, place, and how little direction a photograph actually needs.
The wedding remains the centre of the work. These studies are the space around it — a way of looking more closely before the pace of a real day asks for an immediate answer.
The blue came off a wall
Villa di Geggiano · Siena · Editorial
White as an argument
Villa Platamone · Catania · Editorial
In one breath, on the edge of the lake
Villa Claudia Dal Pozzo · Lake Maggiore · Editorial
One bride, and a lake underneath
Relais Villa Vittoria · Laglio · Bridal editorial
Linen, dunes, and the sea instead of a villa
The Tuscan coast · Tuscany · Editorial
A coat of arms, and a fire lit indoors
Villa Pina · Albavilla, Lombardy · Editorial
A house where they still make harpsichords
Villa Bossi · Bodio Lomnago, Varese · Editorial
What the exercise
leaves behind.
A better understanding of fabric, movement, architecture and light. On a wedding day, that preparation becomes quieter: fewer instructions, faster decisions, and more room for the people in front of the camera.
How I workThe weddings
are the point.