The work
behind
the work.
The tools I actually use, and the conversation behind them: two Lightroom presets, the same look trained as a Neurapix SmartPreset, LUTs for the films, and a private one-to-one review for photographers who want a clearer body of work and a business that supports it.
Tuscany Wedding — LightAiry Film
The colour I work in: Fuji 400H as the reference, warmed towards Portra 400, and used on every wedding I have delivered since 2021.
Italian Timeless Black & White
Contrast that stays natural, skin that stays clean, and no grey mud in the middle — the conversion I use on my own frames.
The photographs above are my own work, not before-and-after samples — each preset has its own page with the real pairs on it. Both are single XMP files, sold and delivered through Payhip.
The same look,
on a whole
wedding.
The same look, trained as a Neurapix SmartPreset: the edit applied to a whole wedding rather than a frame at a time. Sold and priced by Neurapix.
The film half,
graded the
same way.
The photographs and the films on this site are made under one direction, which means the grade and the edit have to agree. That grade is what a LUT set would carry.
Nothing is on sale yet and there is no date. If you want to know when there is, the form below has a box for it — that is all it does.
Tell me when the LUTs are readyThe films,
and how
they are made.
The channel where the wedding films live.
A private review,
built around
the question.
There is no useful standard critique. One photographer may need to edit a portfolio more decisively; another may need to connect the work to the website, proposal and price. The conversation begins with the part of the business that is no longer moving.
Where a review usually goes:
- Portfolio editing and sequencing
- Website and positioning
- Pricing and proposals
- Client experience
- Photography and film workflow
- Building a body of work that feels consistent without becoming repetitive
Not all of it in one conversation — the point is to start where it matters.
For working photographers who already have images, clients or a developing body of work, and want an experienced outside view. It is not a camera-settings class and it is not a formula for copying someone else’s style.
Work with me
Occasionally there is room for another photographer or a second shooter on a wedding. There is no open position at the moment; if you would like to be considered when there is, say so in the form above and send the work.
Future workshops and resources
Nothing is scheduled. If a workshop or a written resource happens, the interest list is where it will be announced first — tick the box above and that is all it does.